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  1. "Joe Pass looks like somebody’s uncle and plays guitar like nobody’s business." So said New York Magazine about the man considered to be one of the greatest jazz guitarists of the 20th century. Pass’s masterful melodic counterpoint and quicksilver improvisational style flow throughout “Intercontinental”.
  2. Joe Pass MPS MPS (label) Jazz (CD, LP) We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we .
  3. One of the grooviest records we've ever heard from guitarist Joe Pass – a sweet European session for MPS, and one with a very different feel than some of his US recordings! The setting's a trio, with a feel that's more open than some of Joe's pop-jazz sets from the 60s – and the rhythms are warmly fluid, in ways that allow Pass to play some great open-handed solos that spin out.
  4. View credits, reviews, tracks and shop for the OBI Vinyl release of Intercontinental on Discogs. Label: MPS Records - UL-XP,BASF - UL-XP • Format: Vinyl LP, Album .
  5. Check out Watch What Happens by Joe Pass on Amazon Music. Stream ad-free or purchase CD's and MP3s now on kottdcomolpotkabulksanctymudedesmoi.coinfo Amazon Music Unlimited HD Prime Music CDs & Vinyl Download Store Open Web Player MP3 cart Settings From the Album Intercontinental January 1,
  6. The liner notes designate "I Love You" as the album's high point: It is a small jewel for guitar, bass and drums. Weber has a short but exciting solo. Kenny Clare attacks with elaborate brushwork throughout. Joe Pass plays with a feather-light sense of swing.
  7. Joe Pass (born Joseph Anthony Passalaqua, January 13, , New Brunswick, New Jersey, USA, died May 23, , Los Angeles, California), was a virtuoso jazz guitarist. One of the greatest solo jazz artists of all time, Joe Pass also ranks as one of the great guitarists not only for his knowledge of the instrument and technical prowess, but also.

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